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| SEC 313 | Script Writing | 1+0+0 | ECTS:2 | | Year / Semester | Fall Semester | | Level of Course | Second Cycle | | Status | Elective | | Department | DEPARTMENT of DENTISTRY | | Prerequisites and co-requisites | None | | Mode of Delivery | | | Contact Hours | 14 weeks - 1 hour of lectures per week | | Lecturer | Prof. Dr. Kemal TURHAN | | Co-Lecturer | | | Language of instruction | Turkish | | Professional practise ( internship ) | None | | | | The aim of the course: | | The aim is to translate the necessary screenplay information for a short film and the conversion of the screenplay into a short film into English. |
| Learning Outcomes | CTPO | TOA | | Upon successful completion of the course, the students will be able to : | | | | LO - 1 : | Scenario Structure and History | | | | LO - 2 : | Eight Sequence Scenario Design | | | | LO - 3 : | Stage Scenarios and Shootings | | | | LO - 4 : | Photography and Camera Techniques | | | | CTPO : Contribution to programme outcomes, TOA :Type of assessment (1: written exam, 2: Oral exam, 3: Homework assignment, 4: Laboratory exercise/exam, 5: Seminar / presentation, 6: Term paper), LO : Learning Outcome | | |
| Scenario Structure: History, Literary Aspects, and Eight Sequence Screenplay Design. Scene Scripts, Scene Shots, Scene Script Integrity. Photography and Camera Techniques, and Visual Scene Plans (Close-up, Waist Shot, Full Shot, Scene Shot, and Amaros Shot). |
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| Course Syllabus | | Week | Subject | Related Notes / Files | | Week 1 | Scenario Structure: History, Literary Aspects, and Eight Sequence | | | Week 2 | Scene Scripts: Definition and Importance in Film Production | | | Week 3 | Scene Shots: Types and Functions in Visual Storytelling | | | Week 4 | Scene Script Integrity: Ensuring Consistency and Coherence in the Storyline | | | Week 5 | Photography Techniques: Capturing Images with Light and Composition | | | Week 6 | Camera Techniques: Using Different Angles and Movements to Enhance Visuals | | | Week 7 | midterm | | | Week 8 | Visual Scene Plans: Types and Uses in Film Production | | | Week 9 | Close-Up Shot: Definition and Purpose in Cinematography | | | Week 10 | Medium Shot: How It Frames the Subject and Conveys Emotion | | | Week 11 | Long Shot: Establishing the Setting and Context of a Scene | | | Week 12 | Scene Shot: Capturing the Entire Scene in a Single Frame | | | Week 13 | Amaros Shot: A Unique Camera Angle to Add Depth and Perspective | | | Week 14 | Editing Techniques: Enhancing the Storytelling Through Post-Production | | | Week 15 | Sound Design: Using Audio Elements to Enhance the Visual Experience | | | Week 16 | Final exam | | | |
| 1 | Akyürek, F. (2004). Senaryo yazarı olmak. Senaryo Yazmak [Being a Script Writer, Writing a. | | | |
| Method of Assessment | | Type of assessment | Week No | Date | Duration (hours) | Weight (%) | | Practice | 7 | | 2 | 50 | | End-of-term exam | 16 | | 2 | 50 | | |
| Student Work Load and its Distribution | | Type of work | Duration (hours pw) | No of weeks / Number of activity | Hours in total per term | | | | | |
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